{"id":8747,"date":"2023-04-25T11:03:57","date_gmt":"2023-04-25T15:03:57","guid":{"rendered":"https:\/\/orchestre.ca\/?p=8747"},"modified":"2023-08-24T10:57:12","modified_gmt":"2023-08-24T14:57:12","slug":"requiem-de-mozart","status":"publish","type":"post","link":"https:\/\/orchestre.ca\/requiem-de-mozart\/","title":{"rendered":"REQUIEM de MOZART"},"content":{"rendered":"\t\t
Le Requiem<\/em> <\/strong>de <\/strong>Mozart<\/b><\/a>, <\/em>derni\u00e8re \u0153uvre d\u2019un compositeur de g\u00e9nie, est aussi l\u2019un des chefs-d\u2019\u0153uvre les plus populaires du r\u00e9pertoire classique. <\/strong><\/p>\n Joseph Boulogne, Chevalier de Saint-Georges<\/b><\/a>, tout \u00e0 la fois champion d\u2019escrime, violoniste, chef d\u2019orchestre et compositeur, \u00e9tait la coqueluche de Paris quand Mozart n\u2019\u00e9tait encore qu\u2019un jeune gar\u00e7on. Laissez sa Symphonie concertante<\/em> joyeuse et scintillante vous mener \u00e0 travers les salons parfum\u00e9s de la France de l\u2019Ancien R\u00e9gime, \u00e9poque d\u2019une \u00e9l\u00e9gance m\u00e9connue. <\/em><\/strong><\/p>\n L\u2019\u0153uvre Lacrimae Beati<\/em><\/strong> (Les larmes du b\u00e9ni<\/em>) s\u2019inspire du \u00ab Lacrimosa \u00bb du Requiem<\/em> de Mozart, qui contiendrait les huit derni\u00e8res mesures \u00e9crites par Mozart de son vivant. Le compositeur Richard Danielpour<\/b><\/a> raconte que ces mesures ont parcouru son esprit en boucle lors d\u2019une exp\u00e9rience terrifiante en avion, lui donnant l\u2019id\u00e9e de sa cr\u00e9ation. <\/p>\n Cette prestation contemplative \u00e0 la Maison symphonique<\/strong> mettra en vedette un quatuor de solistes, membres actuels ou r\u00e9cents de l\u2019Atelier lyrique de l’Op\u00e9ra de Montr\u00e9al<\/strong>, au cours de cet \u00e9v\u00e9nement-b\u00e9n\u00e9fice au profit des Petits-Chanteurs du Mont-Royal<\/strong>. <\/p>\n <\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Symphonie concertante no <\/sup>2 en sol majeur, <\/em>op. 13 de\u00a0J.\u00a0 \u00a0 \u00a0 Boulogne, Chevalier de Saint-Georges<\/b><\/a><\/p> I. Allegro Lacrimae Beati<\/em> de Richard Danielpour<\/strong><\/a><\/p> Requiem en r\u00e9 mineur<\/em> (K. 626) de\u00a0W. A. Mozart<\/b><\/a>\u00a0<\/strong>(version S\u00fcssmayr)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Emma Fekete<\/strong><\/a>, <\/strong>soprano Le Requiem de Mozart est l\u2019un des chefs-d\u2019\u0153uvre les plus populaires du r\u00e9pertoire classique. Joseph Boulogne, Chevalier de Saint-Georges, \u00e9tait la coqueluche de Paris quand Mozart n\u2019\u00e9tait encore qu\u2019un jeune gar\u00e7on. Sa Symphonie concertante joyeuse et scintillante vous m\u00e8nera \u00e0 travers les salons parfum\u00e9s de la France de l\u2019Ancien R\u00e9gime. Lacrimae Beati du compositeur Richard Danielpour s\u2019inspire du \u00ab Lacrimosa \u00bb du Requiem de Mozart. <\/p>\n","protected":false},"author":1,"featured_media":8742,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[10,18],"tags":[],"yoast_head":"\nR\u00e9pertoire<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
II. Andante
III. Allegro Assai<\/p>Artistes<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Ian Sabourin<\/strong><\/a>, <\/strong>contret\u00e9nor
Matthew Dalen<\/strong><\/a>, tenor
Matthew Li<\/strong><\/a>, basse
Jacques Lacombe<\/strong><\/a>, chef
Les Petits-Chanteurs du Mont-Royal<\/strong><\/a>, ch\u0153ur de gar\u00e7ons
Andrew Gray<\/strong><\/a>, chef de ch\u0153ur<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"